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The Kinks

Arista AL 4106
Released: February 1977
Chart Peak: #21
Weeks Charted: 16

Ray DaviesEven as a staunch Kinks supporter, I was beginning to have my doubts. Although the band's following has grown steadily since they made it into the Seventies (by the skin of their teeth) with "Lola," they seemed to have peaked with Muswell Hillbillies. Ray Davies seemed hopelessly stuck no a thematic dead-end street (perhaps he'd started believing all those notices about personifying the "voice of the little people"). But Sleepwalker -- the first Kinks' album since Lola that's unencumbered by either a horn section or female vocal chorus -- is a clear-cut triumph both for Davies and the band.

A few of these songs smack of the self-righteousness that's hindered Davies' recent writing; but the beautiful "Stormy Sky," in which clouds become a symbol for romantic conflict, and "Full Moon," a scary tune about madness and loss of self-recognition, are among his best efforts. The recurrent themes are fear, depression and failed utopianism; in "Life Goes On," we are warned that "life'll hit you when you least expect it." Yet in the end, there always remains a faint glimmer of hope: "Take that frown off your head/'cause you're a long time dead." "Juke Box Music," which seems strangely set apart from the rest, is the best song here, a rocker about a woman whose entire life is spent living inside the story lines of her favorite records. It should be a pathetic song, yet Davies has us tapping our feet, singing along.

The Kinks - Sleepwalker
Original album ad art.
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The Kinks' playing on Sleepwalker is easily their most powerful since Lola. Dave Davies' aggressive guitar work is pushed into the forefront, and the intensity of his lead work seems to rouse the entire group. One is continually reminded just what a fine and forceful band the Kinks can be as those ethereal falsetto backing vocals, so long dormant, rise again like the spirit of "Sunny Afternoon" and "Waterloo Sunset."

- Billy Altman, Rolling Stone, 4/21/77.

Bonus Reviews!

The Kinks get back to basics in this debut LP for Arista, and the result is one of the most accessible LPs, both thematically and musically that they have come up with in years. This is not a concept album, although some of the songs have a similar restless night theme. Nor is the LP as cynical and pessimistic as some of the Kinks' earlier efforts. In fact, it's almost optimistic. And the Kinks, as a band, have rarely sounded better.

- Billboard, 1977.

Without Raymond Douglas Davies, the Kinks would be rather ordinary. They have a reputation for sloppy stage performances and a persistent rumor is that on their early hits, they used studio musicians to play the licks they couldn't handle. Davies' ironic sensibility and his rare ability as a lyricist transform the band's every record into a big event, as they say on TV. He is given to producing song cycles on everything from the mercenary world of pop music to the transformation of English village life. He's into transformations again on Sleepwalker, but this time out, he's singing about the strange changes people go through when the sun goes down. The title song is a vampire's comment on his life. "Full Moon" is a reassuring look at lycanthropy: "Pay no attention if I crawl across the room. It's just another full moon." "Mr. Big Man" is about other changes, the ones people go through when they hit the top and realize they can treat others as badly as they please. "Life Goes On" is a cheerful reminder that "Life will hit you when you least expect it" and even suicide won't help much. When you're dead and gone, life will still go on and on.

Lest you take his playful wickedness too seriously, Davies throws in a reminder that what he's singing is only "Juke Box Music": "It's only meant to dance to, so you shouldn't take it to heart."

- Playboy, 6/77.

Ray Davies' temporary abandonment of theatrical concepts may have ruined his show, but it's freed him to write individually inspired songs again. It's also freed his band to play up to its capacity, which unfortunately falls midway between professional virtuosity and amateur fun. Doubly unfortunate, at least half the songs are in a similar range. Recommended: "Jukebox Music" and "Full Moon." B-

- Robert Christgau, Christgau's Record Guide, 1981.

For their first release on Clive Davis's Arista label, The Kinks ditched the concept albums, and knuckled down to a workmanlike, but unexceptional batch of songs. "Full Moon" and "Juke Box Music" are among the stronger tracks. * * *

- Rick Clark, The All-Music Guide to Rock, 1995.

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