Released: October 1974
Chart Peak: #11
Weeks Charted: 37
Certified Gold: 2/19/75
For several years, the nucleus of the Airplane/Starship has been struggling to hold together a concept that didn't seem workable in the first place. The performing personalities of Slick and Kantner have long seemed much too cold-hearted to deal convincingly with humanistic themes. Their key remoteness has combined with Kantner's pedantry and Slick's sarcasm to turn the pair into unknowing self-parodies.
But this is better: Dragon Fly is at worst listenable and at best surprisingly engaging. New guitarist Craig Chaquico makes up in ebullience what he lacks in subtlety, Pete Sears (on bass and keyboards) is a pro, and the leading couple sounds almost excited at times.
The finest effort from Slick, Kantner, Freiberg, Creach, Balm and company in a long time, with several superb rock cuts in the best tradition of the Jefferson Airplane and some equally well done ballads. Ms. Slick has not sounded as powerful on her vocals in a long while, the harmonies will bring back memories of the 1960's and Papa John Creach's violin contributes substantially to each cut without intruding. A superb LP which should put this fine band right back into the mainstream of the rock world. Best cuts: "Ride The Tiger," "Be Young You," "Caroline," "Devil's Den," "All Fly Away."
- Billboard, 1975.
The key cut here is Grace Slick's gnomic "Hyperdrive," in which supertechnology (spirit-powered, perhaps?) cuts through "corners in time." If in 1973 you'd been responsible for Baron von Tollbooth and the Chrome Nun (Jefferson Jitney), Thirty Seconds Over Winterland (dead live), and Bodacious D. F. (Marty's party), you'd want to think you'd turned a corner in 1974 yourself. But though this does achieve a slick modernization of their polyvocal sound (Barbata-powered, definitely), with Papa John Creach's fiddle and Craig Chaquico's guitar synthesizing past and future for purposes of metaphor and stage presentation as Marty Balin's cameo contribution links them audibly to their own history, it also proves that you can't get along forever on generalized imprecations against the powerful and invidious oriental-occidental comparisons. C+
- Robert Christgau, Christgau's Record Guide, 1981.
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