United Artists 940
arol Connors was a child prodigy on piano even before she recorded a number one hit in 1958 with the Teddy Bears, "To Know Him Is to Love Him," under her real name, Annette Kleinbard. "They wheeled a baby grand into my incubator," she deadpans.
With a friend named Ayn Robbins, she tried to create a show for Walt Disney Productions called "Cloud Nine." It didn't sell, but the studio liked the project enough to ask the pair to collaborate on the music for The Rescuers, resulting in an Oscar nomination for "Someone's Waiting for You."
At the time of the Oscar win, Sylvester Stallone was in production on "a little film about a boxer," as Carol describes it. Bill Conti had been hired to score the film and needed a lyricist. Connors and Conti shared the same agent, who suggested his clients work together.
I loved Frank's song, 'He Had a Sunday Punch That Will Put Him Into Monday,' it was a good song but it didn't really work for what they were trying to accomplish. So we got the job. There was a temporary track on the film. Bill had been signed to be the composer and was still making a decision for the theme song."
Conti met Connors and Robbins at Carol's house. He played the instrumental theme he wanted to use and asked his collaborators, "What do we do with that?" A few days later, Carol was taking a shower when the words "Gonna fly now..." came into her head. "I called Bill from the shower and said I knew what the words should be. He said, 'Where are you?' and I told him I was in the shower. 'Are you alone? I said, 'Would I be calling you if I wasn't alone?' He said, 'Do me a favor, give me the lyrics before you electrocute yourself!'"
The completed song with full lyrics was submitted for the film, but the version heard in the final cut only contains 30 words. "I used to be embarassed that it was only 30 words," Carol declares. Her boyfriend at the time, Robert Culp, solved that problem. "He said, 'You and Aynnie captured in 30 words an entire concept of a film. What are you complaining about?' And from that day on I have not been ashamed of those 30 words."
Three songwriters attended the first screening of the film, held at MGM Studios in Culver City, California, for an audience of 200 sophisticated industry bigwigs. "Men were standing on their seats and screaming and women were yelling," Carol recalls. "Bill, Aynnie and I slouched in our seats. Bill looked over at both of us and said, 'I think it's a hit.' We never knew."
- Fred Bronson, The Billboard Book of Number One Hits, Billboard, 1988.
I would like to hear one day how Bill came up with the music. To me it sounds like he was imitating an introduction to a Roman gladiator fight, the trumpets blaring before the gladiators come into the coliseum, I don't even know if they had trumpets back then, but that's the image I get when listening to it, but either way the music is absolutely brilliant, deceptively simple yet extremely powerful, the hardest kind of music to write. I saw Rocky when it was first released at the end of 1976, I must have been around 14 years old and when the movie was over some people were actually doing push ups in the aisles. To this day people don't believe me, but I swear to God that movie just inspired the hell out of people like you can't believe. Matter of fact one of my friends told me the next day he got up at 5am and ate raw eggs and went jogging ha ha. Absolute phenomenon, I don't think there has ever been a movie that powerful before or since and to me it will never happen again as long as movie companies don't take risks.
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