|
S*H*E 1980 100 min. Omar Sharif, Cornelia Sharpe, Anita Ekberg, Robert Lansing, Fabio Testi, Isabella Rye. Directed by Robert Lewis. James Bondish derring-do involving a woman superspy who crosses swords with the suave playboy head of an international crime ring. (S*H*E stands for Security Hazards Expert.) Script by Bond veteran Richard Maibaum. Average. THE SACKETTS 1979 200 min. Sam Elliott, Tom Selleck, Jeff Osterhage, Glenn Ford, Ben Johnson, Gilbert Roland, Ruth Roman, Jack Elam, Mercedes McCambridge. Directed by Robert Totten. Rambling sagebrush saga taken from two Louis L'Amour novels following the fortunes of the three Sackett Brothers in the post-Civil War west. Average. Followed by THE SHADOW RIDERS. SADAT 1983 200 min. Louis Gossett, Jr., Madolyn Smith, John Rhys-Davies, Jeremy Kemp, Anne Heywood, Paul L. Smith, Jeffrey Tambor, Barry Morse, Nehemiah Persoff. Directed by Richard Michaels. An imaginatively cast Gossett gives a curiously subdued performance, and Lionel Chetwynd's script merely skims Anwar Sadat's carer in this skin-deep portrait of the Egyptian leader. Originally shown in two parts. Average. SALEM'S LOT 1979 200 min. David Soul, James Mason, Lance Kerwin, Bonnie Bedalia, Lew Ayres, Reggie Nadler, Ed Flanders, Elisa Cook, Marie Windsor, Clarissa Kaye, Fred Willard, James Gallery, Kenneth McMillan. Directed by Tobe Hooper. Well-made hair-raiser based on Stephen King's bestseller about vampirism running rampant in a small New England town. Mason is great as a sinister antique dealer and Nadler's vampire is terrifying, but Soul is only so-so as a successful writer returning home to strange goings-on. Above average. Later cut to 150 min.; the 112 min. version shown on cassettes and cable-TV as SALEM'S LOT: THE MOVIE is the overseas theatrical version and contains more explicit violence. SALVAGE 1979 100 min. Andy Griffith, Joel Higgins, Trish Stewart, J. Jay Saunders, Richard Jaeckel. Directed by Lee Philips. An amiable pilot to the short-lived series in which a hotshot junkman goes into the moonshot business for himself with two young companions to recover a fortune in space junk. Average. SAM HILL: WHO KILLED MR. FOSTER? 1971 100 min. Ernest Borgnine, Sam Jaffe, J.D. Cannon, Judy Geeson, Will Geer, Bruce Dern, Slim Pickens, John McGiver, Jay C. Flippen. Directed by Fielder Cook. A pending town election jeopardizes the security of a cynical Western marshall. Uneventful situations, boring dialogue; even the somewhat unusual casting doesn't enliven the proceedings. A rare misfire from the producing/writing team of Richard Levinson and William Link. Below average. Also known as WHO KILLERD THE MYSTERIOUS MR. FOSTER? SAMSON AND DELILAH 1984 100 min. Antony Hamilton, Belinda Bauer, Max von Sydow, Stephen Mact, Maria Schell, Jose Ferrer, Victor Mature. Directed by Lee Philips. New rendition of the original man of steel and the woman who gave him a clipping; the offbeat touch here is having the original Samson, Mature (in his TV acting debut), playing Samson's father. Average. SAMURAI 1979 78 min. Joe Penny, Dana Elcar, Beulah Quo, James Shigeta, Charles Coiffi, Geoffrey Lewis. Directed by Lee H. Katzin. Incredible series hopeful about an eager beaver San Francisco assistant DA who moonlights as a samurai swordsman to uphold justice! Must be seen to be disbelieved, or better yet, forget it. Below average. SAN FRANCISCO INTERNATIONAL AIRPORT 1970 100 min. Van Johnson, Pernell Roberts, Clu Gulager, Beth Brickell, Tab Hunter, Nancy Malone, David Hartman, Jill Donahue. Directed by John Llewellyn Moxey. Fair suspense in an otherwise typical day-in-the-life portrayal of a major transportation center, centering around the manager and security chief. Uneven characterizations and dialogue, but the pace holds interest. Lloyd Bridges replaced Roberts in the subsequent series. Average. THE SAN PEDRO BUMS 1977 78 min. Christopher Murney, Jeff Druce, John Mark Robinson, Stuart Pankin, Darryl McCullogh, Bill Lucking. Barry Shear. Comedy adventure of five knockabouts, living on an old fishing boat, who try to collar a gang of waterfront toughs. A real bummer that somehow became a series. Below average. SANCTUARY OF FEAR 1979 100 min. Bernard Hughes, Kay Lenz, Michael McGuire, Fred Gwynne, Elizabeth Wilson, George Hearn. Directed by John Llewellyn Moxey. Disappointing pilot to a proposed series based on G.K. Chesterson's FATHER BROWN, the English parish priest (here transplanted to N.Y.C.) and an amateur sleuth, played so powerfully by Alec Guinness in 1954. Average. Retitled GIRL IN THE PARK. SANDCASTLES 1972 74 min. Herschel Bernardi, Jan-Michael Vincent, Bonnie Bedelia, Mariette Hartley, Gary Crosby. Directed by Ted Post. Love story of a young female musician and the spirit of a young man returning to clear his name. Thanks to the somber mood and offbeat point of view, not as unbearable as expected. Taped movie, not filmed. Average. SARGE 1970 100 min. George Kennedy, Diane Baker, Ricardo Montalban, Nico Minardos, Harold Sakata, Henry Wilcoxon. Directed by Richard Colla. A detective on the police department decides he can do more as a priest, works the same district as he did as a cop. Melodramatic to the hilt, Kennedy saves the film with an excellent performance. Average; pilot for the series. Alternate titles: SARGE: THE BADGE OR THE CROSS, THE BADGE OR THE CROSS. SATAN'S SCHOOL FOR GIRLS 1973 74 min. Pamela Franklin, Kate Jackson, Jo Van Fleet, Roy Thinnes, Jamie Smith Jackson, Lloyd Bochner, Cheryl Jean Stoppelmoor (Ladd). Directed by David Lowell Rich. What's behind a spate of suicides at a fashionable girls' school? A hard-nosed but vulnerable young woman (Franklin) passes herself off as a student to get the answer in this wide-eyed, inconsequential thriller. Below average. SATAN'S TRIANGLE 1974 78 min. Kim Novak, Doug McClure, Alejandro Rey, Jim Davis, Ed Lauter, Michael Conrad. Directed by Sutton Roley. Novak, the lone survivor of a shipwreck, and her two would-be survivors have a devilish time after trespassing in the Bermuda Triangle. Below average. SAVAGE 1973 74 min. Martin Landau, Barbara Bain, Will Geer, Paul Richards, Susan Howard, Dabney Coleman, Pat Harrington. Directed by Steven Spielberg. Investigative reporters find a skeleton in the closet of a Supreme Court nominee. This was a pilot for a prospective Landau-Bain series, and, notably, Spielberg's last TV-movie. Average. THE SAVAGE BEES 1976 99 min. Ben Johnson, Michael Parks, Horst Buchholz, Gretchen Corbett, Paul Hecht, James Best. Directed by Bruce Geller. Thriller involving a plague of African killer bees descending on New Orleans at Mardi Gras. Neat little neo-cultist chiller written by Guerdon Trueblood. Above average. Sequel: TERROR OUT OF THE SKY. SAVAGES 1974 78 min. Andy Griffith, Sam Bottoms, Noah Beery, James Best, Randy Boone, Jim Antonio. Directed by Lee H. Katzin. Cat-and-mouse thriller with Griffith as a sadistic hunter relentlessly pursuing his defenseless young gude in the desert. THE MOST DANGEROUS GAME played out among the cacti, but still intriguing. Above average. SAY GOODBYE, MAGGIE COLE 1972 73 min. Susan Hayward, Darren McGavin, Michael Constantine, Nichelle Nichols, Dane Clark, Beverly Garland. Directed by Jud Taylor. After her husband's death, a research doctor returns to general practice in a Chicago slum area. Impressive performances by Hayward (in her last role) and McGavin in a touching, realistic drama by Sandor Stern. Above average. SCALPLOCK 1966 100 min. Dale Robertson, Diana Hyland, Lloyd Bochner, Robert Random, Sandra Smith. Directed by James Goldstone. Tired Western features Robertson as a gambler who wins ownership of the railroad. Usual complications, stereotyped characters; even the production looks rushed. Below average. Pilot for the IRON HORSE TV series. SCARED STRAIGHT: ANOTHER STORY 1980 100 min. Cliff DeYoung, Stan Shaw, Terri Nunn, Randy Brooks, Tony Burton, Linden Chiles, Eric Laneuville. Directed by Richard Michaels. Fictional story based on the explosive TV documentary about the use of prison encounter groups to curb crimes among youths. Harsh, realistic, and quite frank, with adult language. Above average. THE SCARLET AND THE BLACK 1983 155 min. Gregory Peck, Chrisopher Plummer, John Gielgud, Raf Vallone, Barbara Bouchet, Olga Karlatos, Bill Berger, Edmund Purdom. Directed by Jerry London. Peck (in his first dramatic starring role on TV) and Plummer play a real-life cat-and-mouse game as, respectively, a Vatican official who clandestinely harbored allied POW escapees throughout German-occupied Rome and the Nazi officer trying to catch him red-handed. Gielgud is Pope Pius XII in this well-made thriller, adapted by David Butler from J.P. Gallagher's book THE SCARLET PIMPERNEL OF THE VATICAN. Above average. THE SCARLET PIMPERNEL 1982 150 min. Anthony Andrews, Jane Seymour, Ian McKellen, James Villiers, Eleanor David, Malcolm Jamieson. Directed by Clive Donner. Lavish filming (the seventh) of Baroness Orczy's historical adventure classic, reeks with class, derring-do and intrigue, as well as spirited performances by all involved. William Bast's entertaining adaptation of two of the Baroness's novels, THE SCARLET PIMPERNEL and ELDORADO, deserves special mention. Above average. THE SCARLETT O'HARA WAR 1980 105 min. Tony Curtis, Sharon Gless, Harold Gould, Bill Macy, George Furth, Edward Winter, Barrie Youngfellow, Clive Revill, Carrie Nye, Morgan Brittany. Directed by John Erman. Curtis jauntily plays David O. Selznick in his epic search for a Scarlett O'Hara for GONE WITH THE WIND. Taken from Garson Kanin's MOVIOLA, it's packed with portrayals of film personalities of the '30s -- and fun to boot. Above average. THE SCORPIO LETTERS 1967 98 min. Alex Cord, Shirley Eaton, Laurence Naismith, Oscar Beregi, Lester Matthews. Directed by Richard Thorpe. An American hired by the British government and a beautiful spy work together to track down the mysterious head of a blackmail ring, known only by his code name. Excellent suspense in an above-average spy-thriller from Victor Canning's novel. Above average. SCOTT FREE 1976 78 min. Michael Brandon, Susan Saint James, Stepen Nathan, Robert Loggia, Ken Swofford, Micheal Lerner. Directed by William Ward. Glib hustler Brandon gets involved with Indians, the Mafia and the Feds over a piece of land he won in a poker game. Offbeat pilot for a series that never was. Average. SCOUT'S HONOR 1980 96 min. Gary Coleman, Katherine Helmond, Wilfrid Hyde-White, Harry Morgan, Pat O'Brien, Meeno Peluce, Angela Cartwright, Lauren Chapin, Jay North, Paul Peterson. Directed by Henry Levin. An orphan dreams of becoming a cub scout in this final film by veteran director Henry Levin, who died on the last day of production. Cutesy Coleman holds his own among the film veterans and now-grown former child stars. Average. SCREAM, PRETTY PEGGY 1973 78 min. Bette Davis, Ted Bessell, Sian Barbara Allen, Charles Drake, Allan Arbus, Tovah Feldshuh, Jessica Rains. Directed by Gordon Hessler. Thriller about a college coed who takes a housekeeper job in the mansion of a deranged sculptor and his strange mother supposedly share with his insane sister. A horror tale with a touch or two of PSYCHO with Bette having a fine old time. Average. THE SCREAMING WOMAN 1972 73 min. Olivia de Havilland, Ed Nelson, Joseph Cotten, Walter Pidgeon, Laraine Stephens, Alexandra Hay. Directed by Jack Smight. Wide-eyed thriller has a recently institutionalized woman trying to convince her family and neighbors that she hears a voice coming from the ground. The script can't maintain credibility. Based on a Ray Bradbury story. Below average. SCRUPLES 1981 100 min. Shelley Smith, Priscilla Barnes, Dirk Benedict, James Darren, Vonetta McGee, Laraine Stephens, Robert Peirce, Roy Thinnes, Jessica Walter, Brett Halsey. Directed by Robert Day. Lust, greed and glitter surround a woman plunged (in Judith Krantz' best-seller as well as in the miniseries previously made from the book) into a life of corporate intrigue after inheriting a vast conglomerate. Slick soap opera. Average. SECOND CHANCE 1971 74 min. Brian Keith, Elizabeth Ashley, Juliet Prowse, Roosevelt Grier, Pat Carroll, William Windom. Directed by Peter Tewksbury. A stockbroker drops out, buys a ghost town in Nevada, and converts it into a haven for people who never had a chance in life. Passible mixture of comedy and drama; the cast far better than the material. Average. SECOND SIGHT: A LOVE STORY 1984 100 min. Elizabeth Montgomery, Barry Newman, Nicholas Pryor, Michael Horton, Ben Marley, Richard Romanus. Directed by John Kortiy. Actually, two love stories -- one of a blind woman and her dog, the other with the man who breaks down her resistance to emotional involvements. Another in Montgomery's gallery of very special portraits. Script by Dennis Turner from Susan Miller's adaptation of Sheila Hocken's EMMA AND I (Emma's the dog). Above average. THE SECRET LIFE OF JOHN CHAPMAN 1976 78 min. Ralph Waite, Susan Anspach, Pat Hingle, Elaine Heilveil, Brad Davis, Maury Cooper. Directed by David Lowell Rich. Contemporary drama of a college president who takes a sabbatical to become a ditch-digger and short-order cook. Earnest adaptation of John Chapman's book, BLUE COLLAR JOURNAL, with Waite wonderful as Chapman. Above average. THE SECRET NIGHT CALLER 1975 78 min. Robert Reed, Hope Lange, Sylvia Sidney, Michael Constantine, Robin Mattson, Elaine Giftos. Directed by Jerry Jameson. Reed is an IRS agent with a compulsion to make obscene phone calls, to the distress of his wife and family. Competent actors trapped in a tawdry drama. Below average. THE SECRET WAR OF JACKIE'S GIRLS 1980 100 min. Mariette Hartley, Lee Purcell, Anna Dusenberry, Tracy Brooks Swope, Dee Wallace, Caroline Smith, John Reilly, Sheila MacRae, Ben Murphy. Directed by Gordon Hessler. A routine TV pilot about a group of female fliers in WW2 who perform secret missions behind enemy lines. Average. SECRETS 1977 100 min. Susan Blakely, Roy Thinnes, Joanne Linville, John Randolph, Melody Thomas, Anthony Eisley, Andrew Stevens. Directed by Paul Wendkos. Silly drama about an unhappily married young woman who, following the death of her repressive mother, becomes a nymphomaniac while looking for the bluebird of happiness. Below average. SECRETS OF MOTHER AND DAUGHTER 1983 100 min. Katherine Ross, Linda Hamilton, Michael Nouri, Bibi Besch, Joanna Barnes, Mary Beth Evans. Directed by Gabrielle Beaumont. The primary secret is that they're both bedding the same hunk. Another is that they're trying to elevate this to a standard afternoon's soap level. Below average. SECRETS OF THREE HUNGRY WIVES 1978 97 min. Jessica Walter, Gretchen Corbett, Eve Plumb, Heather MacRae, James Franciscus, Craig Stevens. Directed by Gordon Hessler. A sleazy melodrama that asks the nagging question: Who killed handsome zillionaire Franciscus (who's been having affairs with three bored socialites)? Below average. THE SEDUCTION OF GINA 1984 100 min. Valerie Bertinelli, Michael Brandon, Frederic Lehne, Ed Lauter, John Harkins, Dinah Manoff. Directed by Jerrold Freeman. A wealthy young bride, bored by her medical intern hubby's lack of attention, becomes a compulsive gambler. That's the "seduction" of the exploitative title. Average. THE SEDUCTION OF MISS LEONA 1980 100 min. Lynn Redgrave, Anthony Zerbe, Conchata Ferrell, Elizabeth Cheshire, Brian Dennehy, Garn Stephens. Directed by Joseph Hardy. An intelligent romantic drama about the involvement between a reclusive college teacher and a married maintenance man who has been repairing her house. Author Dan Wakefield adapted Elizabeth Gundy's novel BLISS. Above average. SEE HOW SHE RUNS 1978 100 min. Joanne Woodward, John Considine, Lissy Newman, Mary Beth Manning, Barnard Hughes. Directed by Richard T. Heffron. A breath-of-fresh-air drama about a middle-aged housewife's decision to express herself by entering the grueling 26-mile Boston Marathon. Woodward won an Emmy for her performance (and her run). One of her daughters is played by real-life daughter Lissy Newman in her acting debut. Above average. SEE HOW THEY RUN 1965 100 min. John Forsythe, Senta Berger, Jane Wyatt, Franchot Tone, Leslie Nielsen, Pamela Franklin, George Kennedy. Directed by David Lowell Rich. Pretty fair chase-drama involving three orphans journeying to America, not knowing that they carry crucial evidence exposing an international organization and that the murderers of their father pursue them. Good performances and action, obscuring inadequate motivation and believability. Based on Michael Blankfort's novel THE WIDOW MAKERS. Average. SEE THE MAN RUN 1971 73 min. Robert Culp, Angie Dickinson, Eddie Albert, June Allyson, Charles Cioffi, Robert Lipton. Directed by Corey Allen. A down-and-out actor and his wife devise a foolproof extortion scheme, but instead find themselves in the middle of a two-way chase. Fair performances, but the dialogue reeks and the direction is far too sloppy. Average. THE SEEDING OF SARAH BURNS 1979 100 min. Kay Lenz, Martin Balsam, Cliff DeYoung, Cassie Yates, Charles Siebert. Directed by Sandor Stern. So-so drama of a young woman who acts as a baby factory and then has second thoughts about giving up the child to the couple who paid her. Average. SEIZE THE DAY 1987 93 min. Robin Williams, Joseph Wiseman, Jerry Stiller, John Fiedler, Tony Roberts, William Hickey, Eileen Heckart, Jo Van Fleet, Glenne Headly, Richard B. Shull, Fran Brill. Directed by Fiedler Cook. Robin Williams gives an affecting dramatic performance as a middle-aged loser trying to get back on his feet in this sour, ruefully funny adaptation of Saul Bellow's novel. Williams plays a kiddie-furniture salesman fired from his job, squeezed by his estranged wife for support payments, pressured by his girlfriend to get a divorce, and routinely humiliated at the hands of his benignly sadistic father (Wiseman). Williams, though good, falters in some of his big moments, but Wiseman's brilliant work will rivet your attention. Average. SEIZURE: THE STORY OF KATHY MORRIS 1980 103 min. Leonard Nimoy, Penelope Milford, Christopher Allport, Frecric Lehne, Linda G. Miller. Directed by Gerald I. Isenberg. Pedestrian recounting of the real-life singer's struggle to recover from a coma after undergoing brain surgery. Average. SENIOR TRIP 1981 100 min. Scott Baio, Fay Grant, Randy Brooks, Peter Coffield, Jane Hoffman, Jeffrey Marcus. Directed by Kenneth Johnson. A spirited class of high-schoolers come out out of the midwest to celebrate their graduation with a trip to the Big Apple, where they fiind adventure, romance, and Mickey Rooney (playing himself). Average. SENIOR YEAR 1974 78 min. Gary Frank, Glynnis O'Connor, Barry Livingston, Debralee Scott, Scott Colomby, Lionel Johnston, Dana Elcar. Directed by Richard Donner. A blend of nostalgia and drama, tracing the lives of several high school seniors in the '50s. A straight version of HAPPY DAYS earnestly acted. Became the short-lived series SONS AND DAUGHTERS. Average. A SENSITIVE PASSIONATE MAN 1977 100 min. Angie Dickinson, David Janssen, Mariclare Costello, Richard Venture, Rhodes Reason. Directed by John Newland. A sacked aerospace engineer turns into a psychotic, self-destructive drunk. A pretentious weeper in which the stars try valiantly to make something out of the dumb dialogue. Below average. SEPTEMBER GUN 1983 100 min. Robert Preston, Patty Duke Astin, Geoffrey Lewis, Sally Kellerman, David Knell, Jacques Aubuchon, Christopher Lloyd. Directed by Don Taylor. This distant cousin to LILIES OF THE FIELD, relocated to the Old West, finds an aging gunfighter hired to help a dedicated nun care for a brood of abandoned Apache kids. Preston's a joy, as usual, as the salty old cowpoke. Average. SERPICO: THE DEADLY GAME 1976 100 min. David Birney, Allen Garfield, Burt Young, Lane Bradbury, Walter McGinn, Tom Atkins. Directed by Robert Collins. Birney takes over Al Pacino's role for this TV movie about N.Y.C. undercover cop Frank Serpico, and his battle against corruption in and out of the department. The subsequent series also starred Birney. Average. Retitled THE DEADLY GAME. SESSIONS 1983 100 min. Veronica Hamel, Jeffrey DeMunn, Jill Eikenberry, David Marshall Grant, Deborah Hedwall, George Coe, Henderson Forsythe. Directed by Richard Pearce. A high-priced call girl begins to question the many facets of her life. If you can't identify with that, the stunning Hamel, in her first starring role after HILL STREET BLUES prominence, should hold your attention. Average. SET THIS TOWN ON FIRE 1973 100 min. Carl Betz, Chuck Connors, Charles Robinson, Lynda Day, James Westerfield, Jeff Corey, Paul Fix, Nancy Malone. Directed David Lowell Rich. Connors has served time on a manslaughter conviction -- but now he's back in town running for mayor, as the local drunk has confessed to the original crime. Good drama with a nice small-town atmosphere, interesting subplots. Filmed in 1969. Above average. Retitled THE PROFANE COMEDY. SEVEN IN DARKNESS 1969 75 min. Dina Merrill, Barry Nelson, Sean Garrison, Milton Berle, Arthur O'Connell, Alejandro Rey, Lesley Ann Warren. Directed by Michael Caffey. A commercial flight carrying a group on their way to a convention for the blind crashes on a mountain; they must find their way down to the nearest village. Standard melodrama with a barely interesting assortment of stereotyped characters, adequate performances, dull direction. Average. SEX AND THE MARRIED WOMAN 1977 100 min. Barry Newman, Joanna Pettet, Keenan Wynn, Dick Gautier, Jayne Meadows, Nita Talbot, Chuck McCann, F. Murray Abraham. Directed by Jack Arnold. A listless comedy of how success can ruin a good marriage, with a free-spirited husband becoming jealous of his wife's sudden fame after she writes a book on the sex habits of her friends. Kooky cameos spark it minimally. Below average. SEX AND THE SINGLE PARENT 1979 96 min. Susan St. James, Mike Farrell, Dori Brenner, Warren Berlinger, Julie Sommars, Barbara Rhodes. Directed by Jackie Cooper. Sitcom approach to the plight of two divorcees whose newly realized independence and burgeoning social life is complicated by their respective children. Average. THE SEX SYMBOL 1974 74 min. Connie Stevens, Shelley Winters, Don Murray, Jack Carter, James Olson, Nehemiah Persoff, William Castle. Directed by David Lowell Rich. Alvah Bessie adapted his 1966 novel, THE SYMBOL, about a fictitious movie queen of the '40s and '50s, but images of Marilyn Monroe come through in every frame. Initially, a real or imagined libel suit threatened to keep this from ever being shown, and what got on the air after severe editing was only a fraction of the exploitive, nudity-spiced film eventually shown theatrically overseas. Average. THE SHADOW BOX 1980 100 min. Joanne Woodward, Christopher Plummer, Valerie Harper, James Broderick, Sylvia Sidney, Melinda Dillon, Ben Masters, Curtiss Marlowe, John Considine. Directed by Paul Newman. Playwright Michael Cristofer adapted his Pulitzer Prize- and Tony Award-winning play about three terminally ill patients and their families during one day at an experimental rustic retreat in California. A powerful and insightful story, well served by this stellar cast. Above average. A SHADOW IN THE STREETS 1975 78 min. Tony LoBianco, Sheree North, Dana Andrews, Ed Lauter, Jesse Welles, Dick Balduzzi. Directed by Richard Donner. A paroled ex-con becomes a parole officer in an attempt at rehabilitation. LoBianco's gutsy acting style and the offbeat premise make this one. Written by John D.F. Black. Above average. SHADOW ON THE LAND 1968 97 min. Jackie Cooper, John Forsythe, Gene Hackman, Carol Lynley, Marc Strange, Janice Rule. Directed by Richard C. Sarafian. America is under the rule of a ruthless dictator; two men lead an underground group hoping to restore democracy. Given the obvious limits of TV, this intriguing situation doesn't get very far; the cast is more interesting than Nedrick Young's script. Below average. SHADOW OVER ELVERON 1968 100 min. James Franciscus, Shirley Knight, Leslie Nielsen, Franchot Tone, James Dunn, Don Ameche. Directed by James Goldstone. Small-town corruption disgusts a young physician who wants to set up practice there; a whitewash murder trial becomes the final straw. Most of the dialogue and situations OK, performances ditto, but the film as a whole too insistent. Average. THE SHADOW RIDERS 1982 100 min. Tom Selleck, Sam Elliott, Ben Johnson, Katharine Ross, Geoffrey Lewis, Jeffrey Osterhage, Gene Evans, Harry Carey, Jr., Jane Greer, Dominique Dunne. Directed by Andrew V. McLaglen. An engrossing Louis L'Amour Western about two brothers' post-Civil War search for their family, kidnapped by Rebel guerrillas during the war. Most of the same players had previously appeared in L'Amour's THE SACKETTS. Above average. SHARK KILL 1976 78 min. Richard Yniguez, Phillip Clark, David Huddleston, Jennifer Warren, Elizabeth Gill, Victor Campos. Directed by William A. Graham. Thriller in the JAWS school pits two men, motivated by vengeance and a $10,000 bounty, against a great white shark. Great undewather but not-so-hot on land. Average. SHE CRIED MURDER 1973 73 min. Telly Savalas, Lynda Day George, Mike Farrell, Kate Reid, Jeff Toner, Stu Gillard. Directed by Herschel Daugherty. A young mother witnesses a subway murder, finds herself in a bind when she recognized on of the two police inspectors answering her phone call as the murderer. Nonexistent as a psychological drama; forgettable as a chase thriller. Below average. SHE WAITS 1971 74 min. Patty Duke, David McCallum, Lew Ayres, Beulah Bondi, Dorothy McGuire, James Callahan, Nelson Olmstead. Directed by Delbert Mann. Straightforward but ultimately boring thriller featuring Duke as an unbalanced young bride possessed by the spirit of her husband's first wife. Game attempt at hypo-ing the story via direction, but you've seen this one before. Average. SHE'S DRESSED TO KILL 1979 100 min. Eleanor Parker, Jessica Walter, John Rubinstein, Connie Selleca, Jim McMullen, Clive Revill, Corrinne Calvet. Directed by Gus Trikonis. Who's bumping off the high-fashion models who've gathered to help a once-renowned designer stage a gala comeback in her isolated mountaintop retreat? Notable, if at all, for the wonderfully outre Parker send-up of Tallulah Bankhead. Retitled SOMEONE'S KILLING THE WORLD'S GREATEST MODELS. Average. SHE'S IN THE ARMY NOW 1981 100 min. Kathleen Quinlan, Jamie Lee Curtis, Susan Blancard, Melanie Griffith, Julie Carmen, Janet MacLachlan, Dale Robinette, Robert Pierce, Damita Jo Freeman. Directed by Hy Averback. Pilot in the PRIVATE BENJAMIN mold about the comic rigors and romantic run-ins of five young women recruits during basic training. Average. SHELL GAME 1975 78 min. John Davidson, Tommy Atkins, Marie O'Brien, Robert Sampson, Signe Hasso, Jack Kehoe. Directed by Glenn Jordan. Cross breed the old Robin Hood story with THE STING and you get a saga of a resourceful ex-con out to fleece the crooked head of a charity fund. Below average. THE SHERIFF 1971 73 min. Ossie Davis, Kaz Garas, Kyle Johnson, Ruby Dee, Moses Gunn, Brenda Sykes, Lynda Day (George), John Marley, Ross Martin. Directed by David Lowell Rich. An unimaginitive title obscures this solid drama dealing with a controversial rape case that tears a California town apart. Strong performances, uneven script by Arnold Perl; the story's resolution is the only major liability. Average. SHERLOCK HOLMES IN NEW YORK 1976 100 min. Roger Moore, John Huston, Patrick Macnee, Gig Young, Charlotte Rampling, David Huddleston, Signe Hasso, Leon Ames, Jackie Coogan. Directed by Boris Sagal. A stylish Holmes original by Alvin Sapinsley that has the sleuth rushing to America after learning that Moriarty has imperiled the world's gold supply and is threatening Holmes' long-time love, Iren Adler. Period valentine for the Baker Street Irregulars and others who seek just plain entertainment. Above average. SHIMMERING LIGHT 1978-Australian 85 min. Beau Bridges, Lloyd Bridges, Victoria Shaw, John Meillon, Ingrid Mason, Wendy Playfair. Directed by Don Chaffey. An American dropout chucks a job with his business tycoon father to persue his passions for surfing and find the perfect wave Down Under. Average. SHIRTS/SKINS 1973 74 min. Bill Bixby, Doug McClurde, Leonard Frey, Rene Auberjonois, McLean Stevenson, Robert Walden, Loretta Swit, Audrey Christie. Directed by WIlliam Graham. Six young professoinals cook up a contest to settle a basketball argument which snowballs, due to day-to-day pressure and the group's own inter-rivalries, into a near-tragic situation. Excellent performances by a well-picked cast make the film believeable. Above average. SHOCKTRAUMA 1982-Canadian William Conrad, Scott Hylands, Linda Sorensen, Lawrence Dane, Kerrie Keane, Beau Starr, Ken Pogue, Chris Wiggins. Directed by Eric Till. Standard medical drama, hidden in the story of Baltimore's Dr. R. Adams Cowley, shocktrauma pioneer. Average. SHOGUN 1981 125 min. Richard Chamberlain, Toshiro Mifune, Yoko Shimada, Frankie Sakai, Yuri Meguro, John Rhys-Davies, Michael Hordern, Orson Welles (narrator). Directed by Jerry London. A colorful, Emmy-winning saga from James Clavell's best-seller about a shipwrecked British sailor in feudal Japan, taken under the wing of a powerful warlord to become the first Western samurai warrior. The flavor of this 10-hour miniseries from which this was chopped down (at least five subplots bit the dust and subtitles were added) remains intact, although it often plays like a movie trailer. (The version, with graphic violence and nudity added, initially was edited specifically for home video.) Above average. SHOOTING STARS 1983 100 min. Billy Dee Williams, Parker Stevenson, Robert Webber, Edie Adams, Efrem Zimbalist Jr., Denny Miller. Directed by Richard Lang. A gimmicky pilot for a failed series that no viewers will go into mourning over. Two actors are bumped from a series in which they portray private eyes, so they became -- you guessed it -- real private eyes. A mindless shoot-'em-up, chase- 'em-down detective story. Average. SHOOTOUT IN A ONE-DOG TOWN 1974 78 min. Richard Crenna, Richard Egan, Stefanie Powers, Jack Elam, Arthur O'Connell, Michael Ansara, Michael Anderson, Jr., Dub Taylor. Directed by Burt Kennedy. Frontier banker Crenna is pitted against gangleader Egan and his boys out to steal $200,000 in the vault. Despite the title and director, not a comedy; written by Larry Cohen. Average. SHORT WALK TO DAYLIGHT 1972 73 min. James Brolin, Don Mitchell, James McEachin, Abbey Lincoln, Brooke Bundy, Lazaro Perez. Directed by Barry Shear. A violent earthquake derails an early morning subway in Manhattan; passengers must grope their way to safety, experience every conceivable hardship. The script piles situation upon situation, strives too hard for documentary effects; otherwise, performances OK. Average. SIDE BY SIDE: THE TRUE STORY OF THE OSMOND FAMILY 1982 100 min. Marie Osmond, Joseph Bottoms, Shane Chournos, David Eaves, Todd Dutson, Vinc Massa, Shane Wallace. Directed by Russ Mayberry. A mom-and-pop movie, literally about Mom and Pop Osmond and their brood, produced by the Osmonds, and starring Marie as their mother. Average. SIDE SHOW 1981 100 min. Lance Kerwin, Connie Stevens, Tony Franciosa, William Windom, Red Buttons, Barbara Rhoades, Calvin Levels, Albert Paulsen, Jerry Maren, Patty Maloney. Directed by William Conrad. Kerwin is a 16-year-old big top puppeteer who has joined the circus and lost his innocence. The milieu is well captured, but the characters are stock and the teleplay contrived. The songs were written by director Conrad, who also provides the voice of the ringmaster. Average. SIDEKICKS 1974 78 min. Larry Hagman, Lou Gossett, Blythe Danner, Jack Elam, Harry Morgan, Gene Evans, Noah Beery, Denver Pyle. Directed by Burt Kennedy. Western satire about two inept con men on the sagebrush trail trying to collect an outlaw bounty. Busted pilot loosely adapted from SKIN GAME with Gossett reprising his role of a college graduate posing as a Civil War slave and Hagman as his pal who continually "sells" him. Average. SIDNEY SHORR: A GIRL'S BEST FRIEND 1981 100 min. Tony Randall, Lorna Patterson, David Huffman, Kaleena Kiff, Ann Weldon, John Lupton. Directed by Russ Mayberry. Bittersweet comedy about a middle-aged NYC bachelor who takes in a young actress, who then has a child out of wedlock. The honest script by Oliver Hailey raised a tempest in a teapot over the homosexuality of the lead character. Notably superior to the subsequent LOVE, SIDNEY series (where the gay angle was whitewashed). Above average. SIEGE 1978 100 min. Martin Balsam, Sylvia Sidney, Dorian Harewood, James Sutorius. Directed by Richard Pearce. A tough senior citizen takes a stand against the gang that's been terrorizing the community. Balsam towers as the one-man vigilante army in this well-written drama by Conrad Bromberg. Above average. THE SILENCE 1975 78 min. Richard Thomas, Cliff Gorman, George Hearn, Percy Granger, James Mitchell, John Kellogg. Directed by Joseph Hardy. West Point cadet James Pelosi (Thomas) relives for writer Stanley Greenburg (Gorman) his true-life experiences of being subjected to total exile when accused of cheating. Mechanical performances by Thomas and Gorman (everyone else is reduced to a walk-on) make this one a bore. Average. THE SILENT GUN 1969 75 min. Lloyd Bridges, John Beck, Ed Begley, Edd Byrnes, Pernell Roberts, Susan Howard. Directed by Michael Caffey. After vowing never to use his gun again, a famed shooter puts himself to the test and rides into a town war between Boss Banner (Roberts) and pioneer settler Cole (Begley). A sad waste of talent via a ludicrous script, boring direction. Average. THE SILENT LOVERS 1980 105 min. Kristina Wayborn, Barry Bostick, Brian Kieth, Harold Gould, John Rubenstein, James Olsen, Mackenzie Phillips, Audra Lindley, Cecelia Hart. Directed by John Erman. Somber drama of the ill-fated romance between Greta Garbo and John Gilbert. Brian Kieth's portrayal of director Mauritz Stiller, Garbo's early mentor and lover, is the thing to watch in this adaptation from Garson Kanin's MOVIOLA. Average. SILENT NIGHT, LONELY NIGHT 1969 98 min. Lloyd Bridges, Shirley Jones, Carrie Snodgrass, Robert Lipton, Lynn Carlin, Cloris Leachman, Jeff Bridges. Directed by Daniel Petrie. A chance meeting that turns to romance for two tired, lonely middle-agers (Bridges and Jones). The script -- not so-so direction -- is the culprit here in that melodrama stops far short of credibility. Based on the Robert Anderson play. Average. SILENT VICTORY: THE KITTY O'NEIL STORY 1979 100 min. Stockard Channing, James Farentino, Colleen Dewhurst, Edward Albert, Brian Dennehy. Directed by Lou Antonio. The real-life account of a deaf girl's victory over her handicap to become a top stuntwoman in Hollywood. Script by Steven Gethers. Above average. SINGLE BARS, SINGLE WOMEN 1984 101 min. Shelley Hack, Tony Danza, Paul Michael Glaser, Christine Lahti, Mare Winningham, Keith Gordon, Frances Lee McCain. Directed by Harry Winer. Considering it's based on a country-and-western tune performed by Dolly Parton, this TV movie is more engaging than it has a right to be. It's like THE LOVE BOAT with class -- a series of seriocomic vignettes set in a pickup bar/dance club, and although the situations are cliche, the dialogue has unusual zest and the performances are excellent. Lahti, as a 35-year-old teacher venturing into the bar for the first time, is outstanding as always. Average. THE SINS OF DORIAN GRAY 1983 100 min. Anthony Perkins, Joseph Bottoms, Belinda Bauer, Olga Karlatos, Michael Ironside, Caroline Yeager. Directed by Tony Maylam. Dorian's in skirts this time, watching her portrait age in this '80s update of Oscar Wilde's macabre tale. One of the infrequent live-action films from the Rankin/Bass cartoon people. Below average. SINS OF THE PAST 1984 100 min. Barbara Carrera, Kim Cattrall, Debby Boone, Tracy Reed, Kirsty Alley, Anthony Geary. Directed by Peter H. Hunt. A group of call girls who had gotten out of the profession fifteen years earlier (following the murder of one of their cohorts) are reunited when the killer is sprung and vows further vengeance. The single element of surprise here is Boone among the hookers. Below average. |
Main Page |
Made-For-TV Movies |
Movies & TV Intro |
Seventies Almanac |
Search The RockSite/The Web